Wednesday, May 29, 2013

More About How And Why I Write

As it turned out, being rejected by traditional publishers was a good thing, and the boom in self-publishing came along at just the right time, or the books would probably never have been published. Perhaps the worst part of the traditional publishers’ rejections was that they didn’t give reasons for them, except one, which said the familiar idea was too similar to another book they were publishing, although those familiars were all insects. Self-publishing has allowed me complete artistic control and enabled me to offer the books at low prices, so I’m happy about that. I’d have had huge problems with editors telling me to change stuff.

I think one of the reasons The Queen’s Blade is hard to predict is because it has no plot. It’s just a series of events based on the characters’ decisions and the consequences thereof, and I don’t always like what they get up to. They told the story, though. I’m just the ‘scribe’. The ideas Blade came up with and the lies he told had me gobsmacked. He’s a lot cleverer than me, and definitely much more devious.

I enjoy all aspects of writing. It’s my favourite thing to do. When I’m in the ‘zone’, it’s like I’m in that world, with the characters, watching and listening to them, and, depending on whose point of view I’m channelling, sharing their thoughts, too. Some writers say it’s best only to write from the main characters’ points of view, but I have no choice in the matter. It allows me to escape the harsh reality of my humdrum existence. I much prefer imaginary worlds, which is probably why I spend so much time there!

When I’m channelling, the only thing that slows me down is my typing speed, and sometimes I go back and embellish descriptions later, if the story’s moving particularly fast when I channel, but most of the time I manage to describe things pretty well the first time around. I find I can ‘pause’ the story if I need to describe the surroundings, but sometimes I want to get on with it and find out what happens next.

The really weird thing is I can’t change anything! When I edit, I sometimes think of a better way to describe a certain scene, without actually changing what happened, but then I always change it back again. It just isn’t right any other way. I can enhance background info, but not actions or conversations. Also, sometimes I’m asked why something happened the way it did, and I have to figure it out, because I honestly had no idea when I wrote it. I also get information that I have no knowledge of, things I’ve never done or learnt about, yet when I research it afterwards, I find that what I’ve written is correct. It’s kind of creepy.

No comments:

Post a Comment